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  1. * Clipped phrases from retro Sears catalogs and some phrases from Dylan Thomas's short stories collection - Adventures in the skin trade. I love doing found poetry. *

    The Garden of Sears

    Creation screamed forth

    in an enchanted garden

    Of non-conformist comfort.

    two available in your choice of colors

    He - lab-tested, excellent resiliency


    She - fully immersible, high polish,

    brass finish.

    He had been invisible

    Till, she opened eyes

    of handcrafted, leaded cathedral glass

    You were lonely before I came

    They stood fresh-as-spring

    It’s got bounce, he thought admiring her pompon elegance

    She ignored his big 10 “ swivel nozzle

    The fine-quality, vitreous china Classic

    had waited for this Sculptura


    One by one the funflowers died

    as the Fooler purred his way through

    “Take off your frock of freedom from defrosting and

    resistant to the effects of smoke, humidity, and

    harsh sunlight”

    a spark of wing and fire

    the safety shell drops

    leaving a hole in heaven

    she took his hand and lead him racing over the Magicube

    truly amazing, they move as though alive

    and multiply, multiply by 3,500,000

    Pattern is protected under a hard glaze for long wear

    We are chip-resistant


    shock protected!

    We glory in - a cool-down tumble

    complete with spill catchers

    trapping tiny tubular travelers

    What is death’s music?

    The stunning modern look!

    Push button-reverse
  2. Was going to enter this in a contest here ( little black dress ) but as usual I went over the word limit and then haven't finished, yet. I would like to expand on the theme of cowardice & masculinity but I'm not too sure if it's too obvious.

    Prove Your Y

    Out of all of them, I kept my eyes on the slimy creature in the little black dress. He/she/it’s craftier than the others. He, I’ll call him he despite his get up, came slurging down the road yesterday like a seal, but when he noticed the others starting to imitate humans, taking bits of refuse to give themselves a frame, a mock skeleton, he broke branches off a tree. He used limbs to give himself limbs. I let out a wild donkey bray, something between a laugh and a cry of hysteria and had to back away from my watch at the upper floor window. ‘Cause whenever they hear noise, they move towards it.
    This thinking gelatin, this meteoric goo - that some dipshit CNN newscaster two weeks ago had laughed off as ‘watch out people the blob is here’ - had propped himself up, gave himself bones. This was no blob, this was something worse.

    There were about eighty of them in my neighborhood. A week ago, before their numbers had climbed into the double digits, the troops had come and banged on doors and most of my neighbors grabbed bundles and willingly vacated. Had to do with that Youtube video in which some teenage boy challenged by his friend had touched one of the blobs. That was before they’d begun taking shape, when they were just stewing and sliding along the gutters, like loogies, feeding off the water, ingesting whole puddles ... Growing. The boy convulsed and died. The trolls cried Hoax! Faker! But then the army rolled in. Other hospitalizations became public. News bulletins told the people to stop spraying the goo out of their yards with garden hoses, or trying to bang it into the gutters with rake ends and enough with the bleach.

    I stayed behind, with my wife Angela. It was her idea to stay.

    “Those bastards aren’t driving me out of my house. I just put up new wallpaper.”

    It was hard to tell who she meant by bastards; the invading troops or the invading goop. With Angela it could be either or both.

    I think there are three others on our block that stayed occasionally in the strange traffic-less quiet, beyond the sticky noise of the blobs traveling, you can hear the wheeze of a screen door.

    Ten o’clock. Angela is in the house opposite gently opening the window. She got stuck in the house a week ago looking for food. I tried insisting I go ( although I didn’t want to. ) I said stupid things like, ‘I’m the man.’ She just raised her eyebrow and said, “Bully for you. I suppose having a cock gives you an advantage in dodging intergalactic Jello, is it part compass?”

    I started to defend my angle by stating I’m in better shape but Angela glared reminding me if I finished that sentence her wrath would be ten times worse than whatever those blobs could dish out.

    I ate the last can of ravioli yesterday. The water still runs. Though I keep the bathtub full just in case. Angela tried throwing me new supplies. She tied them in a little black dress and threw them from the window across to me. I bungled the catch and her package dropped onto one of the blobs below and burst open. The blob spread out like a splat and worked itself out from under the contents. Then it spent most of the day examining the boxes, the cans, the dress and a magazine Angela had thrown in because it had one of my old modeling ads.

    Later, the same blob, I suppose, after he’d given himself arms and legs and shape and structure, and a mock head from a neighbor’s basketball, had put on the dress. Now it hobbled around like some freaking eerie Jack Pumpkinhead.

    “Pssst,” went Angela with a wave. How is she always so fearless? I opened my window reluctantly. A couple days ago the blobs started creeping up along the house like snails. Scared the shit out of me. I ran around locking every window, shutting every curtain. Shook for hours. Angela just got a Swifer Broom and tried to pry one off - “No, you don’t you slime balls!”

    Angela’s plump cheeks have been rouged and she’s done something to her eyes. Glued sequins on, I think. She’s been passing the time playing dress up with the neighbor’s loot. She blew me a kiss. I blew her one back. My eyes kept roaming. They’ve heard us, they’re coming.

    “How you doing for food?” Her stage whisper could travel blocks.

    “Shhh. Ate the last can yesterday.”

    “What? Oh, ouch!”

    I got the pun. “Funny.”

    “I’ll run something over.”

    Too late to find the pun in that -my stomach plummeted. “Don’t!”

    “Levi,” she began, her tone straining with impatience.”You have to let me try sometime or you have to come over here.”

    My hand wouldn’t stop shaking. It was sickening to be this scared in front of my wife especially while she remained rather calm. I slouched down out of sight, and turned my back on the window. Just squatted and thought. It wasn’t as if I was some he-man now reduced to a quivering mass with less substance than what was now creeping out there. I couldn’t feel the loss of courage like the cowardly lion. Who knew or rather had, or claimed a rightful place of authority in this world. Nor was I some sensitive journalist who would think it sexist to even entertain the thought and could bluff my sagging ego that this was the ultimate opportunity to show I have no sexist bone in my body and could embrace my cowardice, smug in the knowledge that as a right to equality, I owed my wife nothing, not an ounce of heroism. Bravo, pilgrim. But that was not my ideal to prove. I was no contriving actor counting on tears to earn me the Oscar that my lack of anything else couldn’t.

    I stood for no one but me, Levi Hammel, an ex male model who spent most of his days in underwear pouting towards cameras and fending off gropes from the photographers. And Angela still seemed to buck tradition even while embodying it. She created and sewed clothes - bohemian hats and dresses. A plump Tinkerbelle who always looked as though she was on her way to a seance. There was never a weirder, more wonderful match-up. Now I was Angela’s model both male and female. I was used to wearing all types of crap and never blinked an eye, so I didn’t struggle and barely protested when Angela shaved my legs and put me in paisley leggings or broomstick skirts or gypsy blouses. Photographing me from the neck or waist down for her ads on Sign of the Owl boutique. This time I longed for a grope from this photographer and she always came through purring, “My very own compliant, anatomically correct, Ken doll.”

    “Ken Doll!” She hollared now, as if plugged into my thoughts. An idea so eerie and comforting I scratched at the goose pimples she’d raised, and bit my tongue to keep from shushing her.

    “Ken Doll!”

    I imagined them slurping into the window. Finding me.

    “Angel Doll.” My call was much quieter.

    “We need a plan.”

    My brain froze at the thought of leaving the house but I turned and looked out the window. They were thick on the ground all their makeshift heads - one used a melon from a garden down the block, another a ticking clock ( from inside a house - chilling thought ), another a trike wheel, an empty mayonaise jar, a wasp nest anything that was round or cylindrical - every makeshift head turned towards us. “What do you have in mind?”

    “Don’t you have any ideas?”

    “Have you tried the phones -”

    “The phones are dead, babe. Dead. We can’t count on anyone to help us.”

    “Who’s fault is that?” I quickly shot back. The wet flash of pain in her eyes made me instantly regret it. “I’m sorry.”

    “It is my fault.”

    “No, I could have - ”

    “You never give in when I want my way. ” She stopped and snuffed. I was glad she didn’t continue as it sounded rather accusing. It made me feel as though I’d always been weak but had never had to face a mirror and see the weakness. And this is all this situation was one big mirror revealing all my flaws. “Shit, they’re climbing up the walls again. 2 o’clock.” She says and closes her window. She draws the curtains. I follow her lead.

    I never sleep long any more. Maybe they’ll get in. Maybe I’ve forgotten something: the flue on the fireplace, a cracked window to let in a breeze, the dryer vent, the hole for the cable wires. Can they thin down to spit strings and find their way in like mice? What do they want?

    They just seem to wander.
    Okon likes this.
  3. A question on the forums had me dragging out my first book to see how far I’ve come ( or not *gulp* ) in my writing. It was definitely eye opening. I took some pictures. Check out this behemoth.


    I wrote it back in the early 90's when I was around 14. I’m having issues trying to date this ( I never wrote dates on anything. And there are about 4 10-30 page outlines I had done of the story previous to writing this draft which is throwing me off on the dates. ) I got inspired by Twin Peaks which was inspired by old movies and my ms bares a lot of similar themes ( both with old movies and Twin Peaks ) - There are serial murders, and a quirky detective, lots of strange folklore, an amnesia theme, and a sort of horror/surrealism. It took a year or two to write ( dates evade me. ) But the final result is a block of paper almost as high as your average Dr. Pepper can. Lol.


    Ew that yellow paper, you can tell I just grabbed anything because chapters written after look older. But I had a habit of grabbing any paper I could find. I’m really going to have to transcribe it onto a computer or something - Some of the paper is so cheap, ditto the pens that some of the words are pretty faded.
    Notice how I tabbed the chapters, I kinda like that. I’m terribly organized so I not only tabbed the chapters, I named them to keep track of things. There are 44 chapters. In later drafts I tried to whittle them down to 32 but they ballooned up to 53. Every time I got rid of something it seemed like some new character took it's place or a new scene filled the gap. The shortest chapter is 3 pages long and the longest chapter in the world - look at that sucker was - 665 pages.


    A novel within a novel.

    One thing that made me nostalgic for the time when I wrote this was how into the writing I got. I wrote so much so fast that the ink would run out in my pen and rather than search for another I’d grab anything that I could find- in this page it happens to be a navy pencil crayon - and kept going. Gah! The dedication. Here's the pen starting to fade - but it picks up and - says Nice to meet you Farrell is now in navy pencil crayon.

    And rather than loose momentum - here's the next page in pencil crayon ( lol ) -


    - *Groan* That dialogue! So cheesy. Notice the random note at the top of the page to remind me of something I missed. Ragged Robin, a flower, happened to be some important clue in the serial murders. Not quite sure what's it doing on this page.
    At first glance over my story, I cringed ( and am still cringing over that dialogue ) , then I kinda gave myself a break. It wasn’t the day and age ( for me anyway ) of computers, or backspace, erase, or delete. I just flooded the page and to hell with coherency. Plus, I wasn’t the best student in the world, I wouldn’t know an adverb or modifier if they angrily bit me on my skinny behind.
    On the page below, I circled and underlined some stuff. Note how I was doing the present tense thing back there ( doesn’t sound half as good though. It sounds very script-y. ) And apparently I loved hammy ideas -
    - lol.
    - Also, I loved the dash. Rather than indent a paragraph I just used a dash, same for the start of dialogue which I never bothered to use quotes on. And I hated speech tags ( huh, still do ) so they didn’t always show up, clouding who the hell was speaking. Notice the circled that's actually supposed to be a thought but there's no distinction. I didn't bother printing in italic.


    I attempted a second draft of this story and got as far as the 26 chapter - 600 pages in, oh I didn’t tell you how long this book was - 2178 pages. I decided to hunt up some paperbacks to show you the equivalent size wise. I chose some hefty horrors approx 400-500 pages a piece, but despite the fact that there are four paperbacks - I’m still 90 pages over them in length.

    I would love to say I got much more word concise but when I attempted a second draft - it wound up running almost parallel in length. Which doesn’t sound too bad until you learn that I ditched five characters, lots of scenes and I developed a nastier habit than the dash. Instead of using the dash I wrote everything in a huge block on the page. No paragraph indents, no distinction in dialogue patterns just words. That second draft is more unreadable than the first draft. Fortunately this all took place in the early to mid 90's. And I've gotten better with my layout, word choices and hopefully grammar.
    Good things I noticed - despite my awful spelling, fluky grammar, and tendency to slip into present tense - were those quirky touches I love which I thought had only come about recently. A lot of things didn’t work but I love that I tried and that I keep on trying. - Here’s one line -
    Just wanted to show everyone that even a bad, overwinded draft is better than nothing. I'm glad I kept it all these years. There were times when I wanted to burn it or throw it out but it's shown me that I was on the right track in finding my style, there were many years when I wanted to cave but somehow that same quirky voice has fought it's way through. And at the very least it's shown how much I've grown in my writing.
    niavi and jazzabel like this.
  4. It’s cold out. But time for Pug to do his duty.
    He blinks big soft eyes at me as if to say, out there?
    Yes there.
    Small scoot with foot to help him out.
    The snow is thick. We’ve shoveled trenches from the house to the gate at the driveway. The pug paces in the trench like a solider.
    The walls of the trench are pee-stained. From the pug, the shitzu, the boston terrier. The pug takes his time. Then puts his face in the snow, the yellow snow, and emerges tongue out of his mouth doing a wild shimmy. Yuck, stop tasting pee! I yell. His computer-like-brain ( monkey with a broken abacus ) sorts the info while he aligns for a counter attack pee. He turns right no-not good enough more to the - leg lifts, he stumbles a bit. Steam wafts and the walls cave a little.
    He trots for the door, blinking threw snowflakes.
    Old fool, I say. But fondly.
  5. Feeling dark. My poems are coming out weird and dark.


    My head,
    My castle,
    My torture chamber
    carved with jaguars
    Conclusions all dark
    Watch the monsters
    sink beneath my eye moat.


    Tongue like a
    tombstone carver’s
    gouging dreadful things:
    how are you?
    Slamming all
    advent doors.


    A tongue bridging
    between mouths
    as ash from a corpse
    blows red across
    the water

    A thought-bred
    briar rose
    Blood petals