Bitter Fruit

By Cogito · Nov 12, 2009 · ·
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  1. This is a short piece I wrote in March, 2008. My goal was to write a scene in third person without any direct reference to what the main character was thinking, but still try to clearly convey his thoughts and feelings. I'm posting this not because I think it's a great piece of writing, but because it illustrates the difficulties of a third person objective narrative voice.

    Bitter Fruit

    Steven clicked the Submit Payment button, then set aside the power bill and picked up the next envelope from the stack. He slit it open with the letter opener and pulled out another bill. After glancing at the total on the front, he turned to the next page, and then froze with a stunned look. Hearing the doorknob turn, he quickly set the paper down on the desk. Janet poked her head around the door.

    “Still paying out the bills?” she asked.

    He nodded wordlessly. She had on her suede coat, and was carrying a small handbag. “You heading out?”

    She looked down at her purse and began rummaging through it. “Kelly called. She’s having a rough time and needs a shoulder to cry on.” She retrieved her keys and turned away. “Don’t wait up. I’ll probably stay there tonight, especially if we have a couple drinks.” She half turned her head around, not quite looking at him, with a tight smile. “Besides, you aren’t a pile of fun to be around when you’re doing the bills.” She walked briskly down the hall, and Steven heard the door open and close.

    He stood and walked slowly to the front room. He watched her through a gap in the living room curtains as she settled into her Honda and backed out of the driveway. After she turned the corner, he continued to stare out into the gathering dusk. Finally, he turned away and retrieved a rocks glass from over the liquor cabinet. He wiped the thin layer of dust out of it with the end of his shirt, selected a bottle of Cuervo Gold and splashed two fingers into the glass.

    He swallowed half of it in one mouthful, and made a face as the burn spread from his mouth into a warm glow across his chest. Returning to the spare room, he picked up the telephone bill one more time and did his best to stare it down. Then he shoved it to the bottom of the stack, shut down the computer, and took what was left of his drink to his throne in the living room. Janet had long since given up trying to get him to get rid of the ugly high-backed chair. He sipped the remainder of the drink in the dark, and stared at the blank TV screen long after the glass was empty.

    Finally, he washed the glass and put it away. He stood there for a moment, then switched on the light and picked up the phone.

    He started to punch in a number, but switched off the phone and set it back down. Then he picked it up again and keyed in the entire number. He put the phone to his ear and waited.

    “Hello, Helene? It’s me, Steve… Yes, really… I was wondering if the offer was still open… I know, but I couldn’t stop thinking about it.” He listened for several seconds. “That sounds nice. Let me get cleaned up quickly, and I’ll meet you there in an hour… Yeah, me too. See you shortly.” He hung up the phone, and went into the bathroom.

    As he washed his face and ran a comb through his hair, he stopped for a few seconds to look at the stranger in the mirror. Then he turned away, and changed into a fresh shirt and khaki’s. He locked the door behind him on his way out.

    Note that the reference to the stranger in the mirror in the last paragraph is a slip. It is a subjective reference, so it doesn't really conform to the rules I had imposed for the exercise.
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Comments

  1. Unsavory
    I think the story was really strengthened by the limitations actually. While I would have expected to feel distance from Steven, I was actually able to plug in emotions very well despite the fact that you never stated them. For that reason it was all the more engaging.

    I think "...with a stunned look" is a weak phrase. It's the only time the exercise feels labored to me, as if you want to say he's stunned but you can't due to your self-imposed limitations. I'm wondering if leaving it at "and then froze" would be good enough.
  2. Cogito
    I agree. There is a lot about this short piece I'm not very satisfied with. Some things I could do better if I hammered at this some more. There are also more places that aren't objective, too, such as where he feels the spreading warmth of the tequila.

    I'm glad I tried the exercise. It showed me how much I do depend on showing character perceptions, even if I eliminate explicit thoughts, and how difficult it is to eliminate them completely.
  3. The-Joker
    I wonder if the 'stranger in the mirror' part was also subjective since that's his perception.

    Good exercise though. It forces you to convey emotion through actions and expression, which we all have do anyway in regular writing, and is a skill worth sharpening.
  4. ChimmyBear
    I think this was great. Without the "fluff" of their thoughts and feelings, the emotion actually came through stronger for me as a reader. Great post Dave. :)

    I have the urge to try this, it would be nice to see how much more emotion my characters would gain.
  5. Fox Favinger
    This is really cool. It was fun trying to piece together what was going on in the MC's head. It wasn't perfect but you were able to make it play in my head like a movie, I mean literally like a film.

    You've inspired me to take your advice and try writing a short story in Third Person Objective. :) I'm really digging this style.
  6. jayden-woods
    Very cool exercise. It's the sort of thing one might do to prepare to shift from prose to screenwriting, where of course a characters' thoughts can never be described.

    Love that description.

    As for your last note where you say it's subjective that he looked in the mirror, do you mean that he called himself a "stranger"? Otherwise I feel like it works well.
  7. Cogito
    No, the last note indicates that I slipped out of the exercise at that point. Writing about the stranger he saw in a mirror is taking a peek into his thoughts.

    For that matter, so is the sentence about the sensation of warmth from the sip of tequila. An external observer would only see the expression on his face - a wince, followed by relaxation.

    Sticking with pure observation is harder than it sounds.
  8. Radrook
    I enjoyed this brief story. It made me feel as if I was right there looking at what was going on. Flows very well in the dialogue.

    The ending spoke volumes.

    Nice work! Thanks for sharing.
  9. CosmicHallux
    How surprising. I was able to sympathize with Steve when I normally would have considered him a sleazeball.

    I wonder if this is because of the exercise.

    The image of Steve sitting in the dark with his glass was very effecting.

    Does this part follow the rules?
    "Janet had long since given up trying to get him to get rid of the ugly high-backed chair."

    I ask because it's not something that "an external viewer" would know unless they had talked to him about it (or Janet). Or if they had observed a previous scene in his life.

    I'm not trying to nit-pick and I think that the quote is very telling and useful for the reader. Thanks for sharing.
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