Does anybody know a really cool way to describe the sound of someone's voice and the way they talk? Any good adjective's to use? I was thinking about it and I always seem to use the same boring words or descriptions. Thank you in advance!<3
Does anybody know a really cool way to describe the sound of someone's voice and the way they talk? Any good adjective's to use? I was thinking about it and I always seem to use the same boring words or descriptions. Thank you in advance!<3
It depends, does the person have an accent?
Seifer: "I hate it when you wish me luck. Save it for the slow students who need it."
Quistis: "All right...Good luck, Seifer."
American
As S-wo has asked already, does the person have an accent? If not, is there a reason for the mention and/or description of the person's speech mannerism? If not, you might just be manhandling the reader into hearing what you hear in your head.
Can't find anything on the shelf to read? Maybe a pen is what you need.
Best bet? Don't try. If you must, do it through the reactions of other characters to the voice.
Overreliance on adjectives and adverbs does not make good writing. You can use them to a degree, of course, but thet aren't a cure-all. A good verb choice can help more, but don't get too creative with dialogue tags. Trying too hard to use a variety of verbs in dialogue tags is usually painful to read.
See these articles in my blog: He said, she said - Mechanics of Dialogue, What's Your Point (of View)?, and Show and Tell.
"On 'brainstorming' for story ideas: Don't collect, masticate, and regurgitate. Create." - Cogito
Hi essilyn
I think you hit the nail on the head when you say it's easy to use the same boring terms over and over. It isn't just you, though; it's a trap we all fall into, since a large proportion of most novels will centre around dialogue. You're right to want to mix it up a little and stay clear of too many cliches.
Rather than me shoving a load of new words in your face and saying "use these", my suggestions are:
1. Keep your ears open to the conversations going on around you every day. It's easier to describe an accent or voice you've actually heard than to make one up out of a puff of smoke.
2. Read as much as you can. That way, you'll see lots of new and interesting ways of describing voices, items, scenarios, what have you. I'm not suggesting you copy this stuff, but you'll increase your vocabulary which will help tons in the long run.
Hope this helps!
M.
All growth is a leap in the dark; a spontaneous, unpremeditated act without the benefit of experience.
- Henry Miller
All growth is a leap in the dark; a spontaneous, unpremeditated act without the benefit of experience.
- Henry Miller
You could use similes and metaphors (His voice was like thunder, her voice was like the waves crashing against the sand), but the problem with this method, like using adverbs and adjectives, is that it can start to sound kind of forced and way too flowery and pointless, so use caution.
My blog. The horror!
"A classic is something everyone wants to have read but nobody wants to read." - Mark Twain
There are certain conventions (like Spanish/MExican people trilling their 'r's) but beyond that, its just a matter of you describing the sound you want. But, as Cog said, its probably not a great idea to try to describe the voice itself. As well as making it tedious to read, you probably won't even get the readers thinking of the same sound you imagine anyway - in most books, where the voice isn't described, readers just fill one in that makes sense for the character; if you try to describe the voice and the description isn't perfect, then more than likely it will just frustrate or confuse the reader as they try to get your voice and fail, rather than attaching a suitable voice themselves.
I usually don't describe a voice unless I feel it adds to the character, then it is something simple like, he said in a deep voice.
Unless you're using accented dialogue, which I think isn't such a good idea, you should simply allude to the area the character's from, or if you're describing the quality of the voice, allow it to come out through internal reaction, or brief narrative description. Give your reader the credit they deserve and allow them create their own impressions.
The meaning of life is to give life meaning.
Im in the middle of writing a story, and im stuck for ways to describe one of the charater's voices.
The protagonist is basically dreaming about a girl, and in the dream he hears her speak, but im stuck for how to describe it.
It's set in a place about 200 or so ago. She's poor and a thief, her familiar is a wolf, and she has to deal with lots of problems in her life... and the protagonist thinks she is beautiful, and he is almost in love with her already.
Anyways. the protagonist was describing her voice I was trying to think up a metaphor for it... but my mind is blank on this one
Any help, or suggestions would be awesome.
Thanks
Last edited by Rose; 06-25-2009 at 06:03 AM.
The black wolf started to run again. Trackless in the rain, invisible in the night. Running east, again.
You seem to have a vivid past for this girl, use that. Mention how some aspect or emotion of her experiences can be heard in her voice, an "it's not what you say it's how you say it" approach.
...Which then turned into a quiet word
And then that word grew louder and louder
'Til it was a battle cry
you could say he/she has a deep, resonant voice;
A voice as smooth as silk;
they could speak with perfect grammer/ slur his/her words;
throaty voice/ squeaky voice;
their voice cracks
The character could have a 'lilt' in their voice.
And my personal favorite: a husky voice. lol
hope that helped!![]()
Being happy doesn't mean that everything is perfect. It means that you've decided to look beyond the imperfections.
I really have a hard time when I read that particular description in any book. I know that you shouldn't take similes literally but I always struggle and fail to imagine a voice as smooth as silk. Maybe it's because I haven't had the opportunity to hear a 'smooth' voice and have another person tell me: "Now that's a voice as smooth as silk.
Usually I ignore (or more frequently, forget) whatever voice descriptions provided for the characters and I'll just let their personalities voice themselves.
I do feel guilty for not really following the author's image though.
I wrote about how Erik is a pure genius for managing to commit murders and still get away with it in style. She marked (in bright red ink):
"You admire him for this?!"
How about this. Don't describe her voice, describe the sound of her laughter. That's something your MC can fall in love with.
"I was the grass. Pleasant, complaisant, sweet-smelling, swaying with every breeze. Who fears to walk upon the grass? But it is the grass that hides the viper from his enemies and shelters him until he strikes." ~A Dance with Dragons.
I struggle with this too. That's why all my characters have a "deep, gravelly voice." Men, women, babies... It's becoming a problem.
"When the chaos becomes safety to you, then you know you're seeing God clearly."
~Caroline Myss
Their accent helps a lot, also the pitch of their voice.
Take me away to January, I'm done with this year.
Trying showing it in the dialogue instead. The vocabulary has a lot to do with it. If you are angry your voice might have a louder, even rougher sound to it, but if you are trying to munipulate someone your voice may have a sweeter, smoother sound to it. At the same time, a kind character saying kind things will have a sweeter voice, while the bad guy will sound like a bad guy. In real life this doesn't really work this way, but while reading we assign voices to the characters in our head. The writing should reflect that. If you want your character to have a nice sounding voice, try letting her talk with a rich and sophisticated vocabulary. At the same time, don't let it sound snobby, because if you do, it will sound like she's talking with her nose stuck up in the air. If you want a rougher voice, make it sound a little bit more uneducated, use a bit of slang here and there. It is completely stereotypical, but it actually works.