While I do think the bank is pretty much cashed out on the cliche romance genre, I do think there's a lot of room to do great creative work with more realistic, personal ideas about love (Self-doubt, apprehension, ect.)
While I do think the bank is pretty much cashed out on the cliche romance genre, I do think there's a lot of room to do great creative work with more realistic, personal ideas about love (Self-doubt, apprehension, ect.)
LA Hall - Professional Writing | Champlain College
facebook.com/LAHallVT
twitter.com/LucasAHall
AAAARGH!!! DID you just call Jane Austen HISTORICAL ROMANCE??? NO NO NO NO NO. Jane Austen is ROMANCE. At the time she wrote the books, they were contemporary! It's only historical to you and me, but you don't call Dickens Historical Fiction just because it's setting is now in the past, do you??
Georgette Heyer is historical romance. Jezuz wept...
Woody Allen = historical romance. HUZZAH!
LA Hall - Professional Writing | Champlain College
facebook.com/LAHallVT
twitter.com/LucasAHall
Jane Austin wrote social commentary, not 'romance'. Georgette Heyer's novels are researched so well two of them are used at Sandhurst when teaching the Peninsula Wars and Waterloo, so she goes slightly beyond being a romance writer sometimes. I don't think there are many women who write to her standard now. The research Bernard Cornwell does for his Sharpe's series comes close, but he's not so focussed on the romantic angle.
'There is one difference between a madman and me; I am not mad.' Charlotte Bronte
I dispute whether 'social commentary' is a genre - it is an important component of her writing, but I think the genre is actually more like romance than any other because the romantic relationships of the female characters are the main focus of the plot.
And your comments on Georgette Heyer seem to imply that writing romance means you can't also be a really good writer and write well researched, historically accurate novels - I think that pretty much sums up the dismissive attitude and general prejudice against romance as 'low brow' fiction that exists today. Mostly that attitude has been fuelled by some really crap genre romance novels and the popularity of Mills n Boon/Harlequin pulp romance, but it's simply not true that historical romance = badly researched schlock. I'm sure there are plenty of women who write to her standard - just not to her exact style and formula.
Last edited by Nakhti; 05-05-2012 at 06:37 PM.
I think you have to determine first if you are writing a romance novel or a story that happens to have a romantic aspect? Romance and literature are entwined in a way that is inescapable for a writer (I think). And also, I don't think you can write an romance story that hasn't been told. It's a common narrative trope that writers have been telling for centuries (if not more). Think sonnets, Shakespeare, etc. That's where our modern romance cliches come from. They're a trope because they work - there has to be something standing in the way of the relationship - whether it's class, age, other people whatever.
I would write your story the way you see fit and not worry so much about reinventing the wheel. What I would worry about is whether or not you are writing a romance or another type of story that happens to have a romance involved.
"Writers aren't exactly people...they're a whole bunch of people trying to be one person." - F. Scott Fitzgerald
"Ever tried. Ever failed. No matter. Try Again. Fail Again. Fail better." - Samuel Beckett
If you like romance novels then write one. If you don't like them...
I would not write a straight-up romance because I find the concept ridiculous and in many ways weak and insulting. Most of them boil down to the girl being so special and awesome that she CHANGED a man and made him "better" in some way (gives up being a pirate, reclaims his humanity, blah blah blah). How dare you so be conceited that you believe you have the right or ability to change what another human being has chosen to be. Love is accepting someone for who they are, faults and all. Otherwise is it not love, but an exercise in proving how awesome you are. Most romance novels are just fluff to let readers act out their fantasies. Which is true of many genres. Not faulting romance for what it is. And romantic subtext/subplots can add to the quality of a book if handled well. As in they do not derail the actual plot. Frodo had a ring to destroy. Thankfully the homoerotic hobbit subtext didn't hinder that mission too much...
The conclusions that you leapt to about my thinking are way off, Nakhti. For one thing, I write romance, so I am not dismissive of the effort that goes into crafting it. I am, however, fully aware that it is deliberately lowbrow and aimed at a mass market--and I have no problems with that. For Mills and Boon, the format and centralisation of the lead's love story is everything. If you haven't got that, no amount of fantastic writing or research will make them accept your work. I am sure Lisa Kleypas has no problems with writing to accepted norms for Romance, and is happy being a bestselling writer. If she has plans to win the Man Booker, on the other hand, she will need to radically review her style and classic trope plots.
Thanks to MissRis for making the distinction clearer. It is what she said that was really underlying my comments above. "A romance" is solely about the romantic involvement of the 2 romantic leads in contemporary publishing understanding, whereas historical fiction with a romantic element, or a work on social mores which involves relationships, romantic and otherwise ... these are all different types of writing.
'There is one difference between a madman and me; I am not mad.' Charlotte Bronte
I don't think romance is overrated. I think, however, that romance is overused (over used?). I see many writers using romance as a decoration or as a "prize" for a character, and there's nothing to do with the plot. They could've cut the romance and the result would still be the same. I don't mind a romance book where the romance it's the main plot... Or for plot purposes and character development.
But people use romance where it doesn't have a function or they do it badly written. Perhaps both, and the result is awful. So bring on the well written romance for plot purposes!
In Soviet Russia, the book writes you
WiP: Trunked, need to research moar
WiP 2: 32K/40K, second draft. I will let it rest for a month, since there are 8K words missing and I have no idea what else to add, then I will revise it and plan a third and final draft.
Huh. The ones I've been reading lately are much more realistic in the fact that both parties change in the aspect. Except for where the pirate let the woman free herself instead of being socially acceptable.
Very true.But people use romance where it doesn't have a function or they do it badly written. Perhaps both, and the result is awful. So bring on the well written romance for plot purposes!
"Perfection is a trifle dull. It is not the least of life's ironies that this, which we all aim at, is better not quite achieved." - W. Somerset Maugham
"You may be on the right path, but if you sit down you can still get run over." - Will Rogers
Romance Novels have a very specific word count and a very specific plot structure. Romance is not something you should attempt with the idea of getting published, without serious research into what your book needs to be. But, romance isn't overrated - what is overrated is contrived romance (in life and in fiction). Real romance isn't flowers, chocolates, candle lit dinners and walks on the beach in moonlight. It's a growing admiration for who someone is, it's the untold sacrifices people make for another, it's laughing and sharing, it's spontaneity and sex in public. In a word it's passion - and passion is reeeeally difficult to write without it being formulaic or cheesy.
But, if you find you have a knack for it - do it, because that is a money making genre for certain.
As long as there will be women, there will be a market for romantic stories.
Men are just as interested in romance as women, we just don't seem to like it be the central theme in stories. It is extremely hard for a story to be successful without some romance the protagonist is ultimately fighting for.
I now realize that is definitely true; most guys also need some explosions and shit to keep it interesting. But we're all rooting for the hero to walk into the sunset with the beautiful girl in the end.
When I think about a "romance novel", though, I think about those 'candle light' pocket books. I thought that was what the OP was referring to.
Is romance overrated? No, no, no. Never. Romance is beating heart of humanity. It gives us hope and excites us and has been an integral part of literature since the beginning. Though the evocative (and kinda creepy) covers of Harlequin novels may line the book store walls they are by no means representative of the genre as a whole. Romance lingers in most (not all I'm sure) books and is an important part of the human story.
It is not overrated at all, though I'm sure the overzealous marketing of certain books (to-movies) have given people the impression that romance is contrived. It's all about how it's written. A well-written book is a well-written book, no matter what genre.
Well, if you must know I have written 14 books. And as I am the only one who has read them, I can tell you that they all have been very well received - Phoebe Buffay
@thewritetypo
I don't think romance is overrated - everyone always seems up for a romance and it shows. They constitue over a billion dollars in books sales! As for running into the same old plots or cliches - some of these are comfort zones for genre readers. They actually look forward to seeing new characters going through familiar routines. A good way to avoid these cliches however, is to know them inside and out - jot down everyone you can think off and start an opposite list. Also decide on what type of romance you want to do. Merging with another genre can help. Like if you don't want to be a Sex and the City clone but want to do a fashion fueled romance merge it with futuristic sci-fi or fantasy. Switch it up - give us a historic romance from a vulnerable guys point of view - he's the blushing virgin!

Definitely agree. Besides, that is not a "problem" only for romance. Think of murder stories. They are all the same in the end. A dead body is found. Police is put on the case. They start investigating and find out all kinds of things. Here where I live, they are even more narrow and usually the setting is this idyllic little town where everybody knows everybody and all of them are shocked that there's a murderer among them. Things starts to happen, secrets are being revealed... we all know these stories. The thing about them is characters. Setting. Thinks that happen that makes them unique. The same with romance. Setting, tone, character and plot twists can make them very different from each other, even though the central issue is the same.
Last edited by Tesoro; 05-24-2012 at 03:21 AM.
“Write without pay until someone offers pay. If nobody offers within three years, the candidate may look upon this as a sign that sawing wood is what he was intended for.”
― Mark Twain
Overrated or not, the fact that people got used to act and it’s a big part of literary arts there’s nothing wrong with it.
There's pulp romance, and there's actual romance. My fiancée loves her romance books, and though she thinks most of them are cheesy, or kind of trashy (a guilty pleasure), there's others that she finds are exception, quality reads. The Time Traveller's Wife, while not wholly romance due to the obvious science fiction connotations, is a great example of such a piece.