switching between third person limited and subjective

After writing about 125 pages and brushing back through with editing work between spurts of adding new scenes, I've noticed that I switch between what I believe is: third person limited, third person subjective, and perhaps even bits of deep POV.

However, there is no intended character-hopping as far as I can tell.

I couldn't imagine writing an entire novel in deep POV, but I like intimacy that it creates between the reader and my main character.

Is switching wrong? Not recommended?

or,

It is good to switch it up a bit? to add interest?


-C

[novel/young adult literary fiction]

 

what is "deep POV"? (i don't even know what third subjective is...)

 

I think it may be best to stick to one style of narration.

But, who knows you may be on to something very innovative.

I noticed that I sneak in character's internal feelings when I try to portray a third person narrator. Gonna have to work on that.