Greetings, earthlings. I have come to usurp your time.

By animagus_kitty · Jun 10, 2017 · ·
  1. Some of you may remember my name, I posted in a handful of threads a month or so ago. I've recently had a bit of a...philosophical dilemma that I'd like to see your responses to. I know that at the end of it all, I have to make the decision that feels right for my book and my characters, and hang the rest; at the same time, I fear that nagging in the back of my mind that says, "What if..."
    Fun fact, I have no fear greater than that "what if...". Now you know.

    First, the instigator for this dilemma. I watched Becoming Jane recently (a fantastic movie, but only if you liked Shakespeare In Love). Generally speaking, I like tragic characters; paradoxically, I also dislike sad endings. The movie's ten years old, so I don't feel bad spoiling it, but if that bugs you, sorry. :(
    Jane meets boy. Jane hates boy. ??? Jane loves boy. Jane can't marry boy because (insert myriad reasons here, all of which are valid). It's here that my heart began to hurt, almost a physical pain by the end of the movie.
    Jane loves Tom, rather passionately (and chastely--as was right). And when his uncle refuses to allow him to marry her, they run away together. From the ball of pain in my heart, a flower of hope seems to grow. Perhaps...perhaps... And then that fails, and they never marry. I wanted to scream, I wanted to cry. The movie was so well done, without being (to my mind, anyway) in any way over the top. My heart hurt for Jane, and for Tom, hurt so bad I wanted to forget I'd ever seen the movie, just to make the pain go away.

    Here's the thing, though. My book ends with the death of the main character. After leading the Constellar Imperium to a crushing defeat at the hands of the rebellion, he finds himself a prisoner, almost a pet, of the man who had led the rebellion. His life had been spared out of kindness, a favor from one grieving widower to another.
    Zandakar decides to grant Malchoir one wish, for reasons I haven't yet gotten to (the book's not done yet, i'll get there one day); Malchoir tells him that he'd like to write a book. A history of the recently-deceased Imperium, free of the hateful bias of a rebel historian. He promises impartiality, and is granted his wish.
    A period of time passes, and one morning, when a guard goes to wake Malchoir for breakfast, he finds him dead on his bed, having died in his sleep. Beside him, on the bedside table, are three manuscripts. Two, histories; the third, a journal of the war.

    This has always been Malchoir's fate. Through three changes of the timeline, four drastic plot changes, and several seemingly minor changes to the way the universe functions, Malchoir has always ended his life by going to meet his family in the next. Suddenly, having watched Becoming Jane, all I want to do is save his life. I want him to live; I want him to not give up and 'go home'. I want him to have his happiness.
    The problem is that he simply can't. Everything this book is meant to be stands against the idea of him having a happy ending. He must lose. He must die. He simply must.
    And so my mind goes back and forth; on the one hand, I know now that it will cause me pain to watch the last few months of Malchoir's life go by, knowing that soon it must come to an end. It will cause me pain to watch this character, to whom I've devoted so much of the last few months and so much of the next few, reach the day where he will wake no more.

    How can I live with myself if I don't change his fate?
    How can I live with myself if I do?

Comments

  1. Cave Troll
    Usurp my time you say? That is all I have, well until I don't. But that is at least 50yrs
    down the road. :p

    I have not seen either movie with which you speak. However, Grim/War/Sci-Fi
    is a fave of mime. It is hard to answer your questions at the end though.
    For the first it may be hard for you, but was his family killed during the war
    by the rebellion? That would be incentive enough to want to join them in the
    end. As it would be humiliating to be kept prisoner/pet to the enemy commander,
    as well as a blatant slap in the face to your MC having lost his family to the
    other factions actions. Push a man hard enough, and long enough and he will
    break. Between the grief of loss of family, and the amount of mental trauma
    (and physical) on him would be enough to give him the nudge to end it all.

    While you seem to have feelings of attachment to this MC, it can be hard
    to kill them off. It is hard enough to put them in a situation where they have
    to suffer both mentally and/or physically at the hands of the enemy. Or even
    just in their own mind of everything that has happened to them, and all the
    horrible things they have done. People they have lost, people they couldn't
    save, people they have maimed and murdered. It all adds up and will take
    its toll on them in the end. Unless there is someone who can help them
    see that it will be hard to keep on living, but it is better than being consumed
    in the horror of what they have endured.

    So it is ok to show them a bit of mercy in the end, by letting them go. Freeing
    them from the hell inside, and giving them peace.

    It is also ok to give them a reason to keep the will to live, despite the hell they
    have been through. Mind you they need a little support, or are really just that
    mentally sound to be able to cope with all that has happened.

    It would be more realistic given your scenario, that he would be alright with
    dying. It may hurt you, but if you can tell it in great way it will be worth it
    in the end. Understand that it is complicated considering the good/bad
    feelings of the decision, and how it will be for the best in the long run for the
    MC. If it doesn't make you cry, then it probably won't make the reader feel
    the dour mood either.

    Good Luck Miss, and pour your heart out on the page. :supersmile:
  2. IHaveNoName
    You're right. He has to die. BUT... if you feel the way you do about it, you can do him justice and give him a real, memorable death - not just "oh, yeah, he's dead big deal". If you can feel pain and loss over your character, there's a good chance the reader will too, and that's what makes a good story.
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