Ha ha, I'm liking the input. I may keep these ideas for this or a later scene. Maybe the crazy guy of the group could keep a demon horn or fang...
Maybe you have a point. I'm starting to think that maybe it's impractical to use the demon's physiology to get out of the room - it seems mundane...
Interesting, I didn't think of that. I want to take advantage of all the characters' unique skills though, so maybe the demon's horn is made up of...
[Here] is another forum where I asked this question. There has been some brainstorming. Let's say the door isn't going to budge, even if you shoot...
Well, remember that one man's terrorist is another's freedom fighter. Looking through that looking glass, and a little knowledge of 4th Generation...
So here's the setup: a group of characters are trapped behind a metal door in a subway. There is a dead demon in the room that they killed with...
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Here is the short form of the Hero story, the plot structure that most "hero" stories can't help but to follow, in "The Hero With 1,000 Faces":...
Don't like the 3rd option. 2nd seems to be the best. Actually, you could combine 1 & 2, having the church say it's divine punishment whilst...
Is there any way you can make the proposition significant in regards to other elements of the plot? Something that ties in to other places that...
Kurt Vonnegut's 8 rules of writing are a nice guide for this sort of thing. I like AmyHolt's advice as well.
Whoever would suspect them of stealing would suspect them of being ordinary human thieves, right? Are these the kind of werewolves that only...
I'm editing this post because I did not like what I put here before, so yeah.
In the Elder Scrolls (video game series) it has an effect on gameplay and helps to immerse the player in the universe. Those games also have...
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