How do I subvert these action tropes?

Discussion in 'Character Development' started by Other Paw, Nov 19, 2017.

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  1. big soft moose

    big soft moose An Admoostrator Admin Staff Supporter Contributor Community Volunteer

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    I think my point was the the trope/cliche is the strong silent gun fighter who has a troubled past because of 'something that happened in Nam/'Stan / or wherever, about which he never speaks which conveys the depth of his trauma.

    So what if instead of never speaking about it, he never shuts up about it ... ever second sentence is "when we was in the afghan I did..." and "this is like that time when we...." 'when wes' are generally a trial to have around even if there whenweism springs from their way of dealing with a trauma so its a different way to show a damaged character

    one point of that is not to over do it to the point that it irritates the reader too badly
     
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  2. jannert

    jannert Retired Mod Supporter Contributor

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    Instead of going for something like verbal tics, which can seem tacked-on for ID purposes, like a tattoo, why not explore what the non-aliens think of this character? What is their initial reaction when they first meet her? Do they misunderstand her? Either verbally, or by not understanding what the character does? Maybe because of cultural differences which are still fairly strange to them? What is the humans' reaction to her physical appearance? Maybe her voice or how she communicates? Do they think she's stupid, or slow, or scary, or loveable, or just strange or what? Are they happy to have her along for the ride? If so, why? Does she develop friendships with these humans? If so, on what basis?

    Just avoid the notion of tacking something on to the character to make her 'different.' Explore what the difference actually does for your story. If it's a verbal tic, make that count in some way. Maybe it means she's misunderstood a lot ...which might be frustrating for her. Maybe it means it takes her ages to make herself understood, which annoys everybody else? Maybe there's one person who makes more of an effort to understand the tic ...not only for the verbal meaning, but the reasons behind why it is different. Is it because of how the tongue meets the teeth (if the alien has these?) Or does the tic signify something in the alien's own language that means she will continue to use it when speaking to the humans? Maybe the tic means a bit of information doesn't register right, and people get killed as a result.

    Dig in. Push things. And don't pick the easiest option, or the most obvious one.
     
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  3. Other Paw

    Other Paw Member

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    Oh, now I see what you mean. That makes sense.


    Thanks for the all wonderful suggestions!

    This may seem a little cliche too, but maybe the Alien is at first a little standoffish towards humans. She's cool, calm, and collected, but maybe she's a little tough to work with because where she comes from, her people have little patience for nonsense. She may come off as cold to them, but she's very kind and driven by honor.

    As the story goes on, she warms up to them and comes to appreciate them because she finds them very interesting and changes whatever opinion she had on humans before. Once she's loyal to them, they can rely on her and she'd fight to protect them with her life. Maybe along the way, reveal little things about her like how she knows how to cook, by correcting somebody on how they're making something.
     
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  4. ChickenFreak

    ChickenFreak Contributor Contributor

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    I just realized my issue (well, one of my issues) with the "goes crazy and super strong when (whatever)" trope: Because it is often treated as separating the character from responsibility for their actions. Separating killing from the decision to kill is a simplification that largely eliminates the significance of killing. If killing is the main thing that the character does, then it largely eliminates the significance of the character, in terms of, well, character and personality.
     
  5. Other Paw

    Other Paw Member

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    I've started to notice the problem with that too. I think I'm going to get rid of it. I mentioned in an earlier post, I might make the Alien like a Stealth/Medic skill set type of person.
     
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  6. ChickenFreak

    ChickenFreak Contributor Contributor

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    I'm not clear on what Stealth means, and how it would combine with Medic? Medic, in an alien, sounds interesting.
     
  7. Other Paw

    Other Paw Member

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    I was going to give her both skills -- a Medic/Healer, along with being a skilled combatant with stealth skills.

    You know what, maybe the second part is overdoing it. I'll stick with her being a Medic.
     
  8. Homer Potvin

    Homer Potvin A tombstone hand and a graveyard mind Staff Supporter Contributor

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    O'Brien looked like he could have been a bad dude if provoked. Those boyish curls never fooled me for a second.

    As far as the cliches go, they're not inherently bad. Especially in what sounds like a by-the-numbers action movie. Sorry to reduce it to that, but that's what it sounds like to me: a team of misfits (the drunk one, the brooding one, the overpowered one) go after a bad guy and save the day, if not the world. Nothing wrong with those types of movies. They've been done a billion times because they work. And the target audiences tend not to be the most discerning so long as you fill the quota of explosions and one liners. Not a lot of room for character development between the CGI set pieces, so use your handful of empty minutes to try to add some depth where you can.
     

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