Okay, so this is sort of why I'm here, the thing I want to do. True, since coming here/joining this online community, that my own writing juices have flown. I wrote sketches in somebody's short humour thread FFS as my first two posts here, on this forum, because I'm new and, I really hoped it was a free for all and their ideas just inspired me so I wrote them. 'sorry', lol, to that user who, I know the avatar, but, being new, haven't learned there username yet, but, they seem friendly enough, and it's there, somewhere, if you find it, my sketches I wrote. Then old projects of mine somehow rose themselves and it was like, oh sh*t, I'm home! But despite all that, (Talking Toilet/UK Asian Buffy the Vampire Slayer set in South London on a constant Autumn) I've really got something new. I've got a scene and an idea, the scene is a news anchor reporting on the new police cars coming from Detroit with Surrey Country Police Department and American spec cars around it in the UK with a Commonwealth of United Kingdom license plate that also has something like 'The British State' in a caption underneath. I don't know how quite to write the scene of a decal that's sporting that Surrey PD design, on an American police car in the UK. Scotland Yard could have MET decals in London on American police cars in London, but Surrey County, I want to write, in a story that sees the English county of Surrey become the American Surrey County in the state of United Kingdom of Great Britain and Northern Ireland) in a post Brexit world. But how did we get there? not really, since there was a story called the Fifty First State that said that, no, I want to write, the transition. I want to write the change of UK becoming a US State. Like I want there to be drama (within our main characters whom are binary opposites; two rich and powerful, two poor and peasant, I want one of the rich and powerful to be the good, and one to be greedy/bad, and I want one of the peasants to be the Heroin, so smart, but also subject to the change and not fooled by any of the jubilation and sees the ugly truths of the dramas from the rich and powerful's struggle, and I want there to be a dependent for the Heroin, like a stupid male friend or something who's quick to join the masses, who she pulls out and saves, and knows and who trusts the Heroin, so it's that trust that saves this stupid guy, for trusting in the right people, and think there has to be a chance meeting that brings the good characters together, that involves them against the bad/greedy protagonist (who wins and the UK ends up just as American as Apple Pie for it, somehow, so, it's not a bad end, but it does mean the end of a country), and I want detail of everyday things like roads and historic buildings and US High Way code and converting to American. So, maybe lots of boring construction, IDK, if Jules Verne could do it, why can I? (Be as detailed as I need to be). I draw the line at electricity though, I want there to be a footnote about the electrical sockets and the 240Volts thing here not being American, but I want that to be like a foot note, like a minor mention, like, talking about the grid or rebuilding everything, idk, I want to mention it but not write it, I don't want to be too detailed, but I want the things to be present, so the idea of everything changing to American, and vital elements of the logistics and execution of such grand schemes.