It seems to be leaving me alone now—that dialectic I've been writing about for so many years. You know, left brain/right brain, conscious/unconscious, yin/yang, Apollo/Dionysus etc.
It used to drive me relentlessly, popping up at odd moments and taking over my thinking process, making me write feverishly, but I was only spinning my wheels, getting nowhere.
Then I stumbled onto that video about the Feminine Gaze. That one started me on a massive burst of blog posts that finally connected it all up with that other dialectic I'm obsessed with—Poetic/Narrative. They clicked together, and then while watching The New World I suddenly had insight into how Terrence Malick wove the 2 threads together in his masterpiece film.
A few more quick movie analyses and I had figured out most of the details—how to weave the poetic and the narrative threads together into the same piece. There's still a few loose ideas rattling around, but they seem minor and I don't feel the obsessive need to write about them anymore. Now I finally understand how to USE this stuff.
Next I turn my attention toward ferreting out the story structure in a few movies, and exploring how character web ties in with plot. I think this is a major stage in understanding story, that beautiful but demanding mistress—the penultimate stage before beginning to use it in my own work.
- This entry is part 16 of 22 in the series Narrative and Poetic Form.
Series TOC
- Series: Narrative and Poetic Form
- Part 1: Introduction
- Part 2: Looking at what I call Poetic Film
- Part 3: Theater of the Absurd
- Part 4: What makes Poetic form work?
- Part 5: Poetic Narrative in film—analyzing Fires on the Plain
- Part 6: Poetic Prose
- Part 7: A Correction
- Part 8: Narrative = Masculine
- Part 9: Narrative = Masculine pt 2
- Part 10: Appollo/Dionysus
- Part 11: Film Studies—Dialectic in The New World
- Part 12: Transcendental (poetic) Style in Film
- Part 13: Film Studies—Dialectic in M*A*S*H
- Part 14: Film Studies—Dialectic in All That Jazz
- Part 15: Film Studies—Dialectic in Black Swan
- Part 16: Finito!
- Part 17: Active and Passive protags
- Part 18: Receptive
- Part 19: Protags
- Part 20: Lyrical and 'juxtapositional' novels
- Part 21: My studies into poetry and Romanticism
- Part 22: Good video on Iain McGilchrist's work
- This entry is part 16 of 22 in the series Narrative and Poetic Form.
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