Back in 2016 (Wow! Five years ago now!) I became intensely interested in a course of learning called The Trivium.
Here are 2 posts on my Artventure blog from when I first started all this mad activity:
I made it some ways in and stopped. I became dejected when I understood what Aristotelian Classical Logic really is. Turns out it's excellent in a very specific set of situations, but outside of those conditions it really doesn't help much to convert statements into carefully crafted syllogisms and diagram them to check for inconsistencies. It becomes more an exercise in grammar-checking for the most part. And people tend not to speak in syllogisms these days. Still though, the work I did back then taught me how to think much more clearly, so I don't consider it lost time or wasted effort at all.
I decided recently to get back to it, this time specifically on Grammar and Composition. I've already bought all the textbooks, time to put them to use! This covers stuff I knew pretty well when I was 8 or 9 years old but have entirely forgotten since then. I remember diagramming sentences and breaking them down all the way to the component parts, but unfortunately not how to do it. I do know what adverbs are, but not adjectives or prepositions or participles. And if I want to consider myself a writer, I need to know this stuff at least as well as I did in grade school (far better is the actual goal).
So I'm spending an hour or so each morning now studying this stuff, and often reviewing it later as well. A big part of each morning's study also consists of reviewing recently-learned things, otherwise you just forget it. It's amazing how fast it overloads your brain some days, depending on how complicated the material is and how well-rested and non-distracted I am.
Onward and forward, one step at a time! That's the way it's done my friends.
- This entry is part 3 of 33 in the series General Writing Related.
Series TOC
- Series: General Writing Related
- Part 1: The New Weird
- Part 2: Creative/Critical—pick one
- Part 3: Back to Basics
- Part 4: No Art without Craft
- Part 5: Internal Dialogue
- Part 6: Conflict
- Part 7: Emotion
- Part 8: Story Unites
- Part 9: Noir
- Part 10: Noir #2
- Part 11: Neo-Noir
- Part 12: Noir #3
- Part 13: Noir #4
- Part 14: Chapter and Scene
- Part 15: Dialogue = Action
- Part 16: Webbage
- Part 17: Who or what is driving this thing?
- Part 18: How Many Words?
- Part 19: Short Story Structure
- Part 20: Telling Tales
- Part 21: Transcendent Writing
- Part 22: Inner Life
- Part 23: Characters in King and Spielberg
- Part 24: What can be Learned from Buffy?
- Part 25: Looking closely at some Hardboiled Writing
- Part 26: Writing from the Unconscious
- Part 27: Alter Yourself
- Part 28: Writing From Life
- Part 29: Local. Script. Man.
- Part 30: Dunning Kruger
- Part 31: Looking into Leiber
- Part 32: Discovering Writing
- Part 33: Devices of Horror
- This entry is part 3 of 33 in the series General Writing Related.
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