Guitar Progress [Unwanted lift-off plucking]

By OurJud · Aug 18, 2020 · ·
  1. I forget the term now and realise it’s a commonly used technique, but I find it very off-putting the way I’m constantly getting unwanted sound from a string as I lift off my finger to move to another string. I’ve been practicing simple riffs to try and get the hang of plucking different strings (as opposed to chord strumming) so I’ve never really noticed it before. I don’t know if it’s bad technique or just part and parcel of an acoustic’s sound (like the squeak when you slide between the frets).

Comments

  1. Friedrich Kugelschreiber
    There are various muting techniques...as you get smoother and fluider I'm guessing they'll come more or less by themselves.
      pyroglyphian and OurJud like this.
  2. Malisky
    You can try muting them but when you slide your finger and it squeaks it's considered normal and yes, it's part of the charm of the sound it makes... for me at least. I like the squeak. :D It's a sound I've come to love. It makes guitar sound more organic.



    Can you hear the squeak here? Doesn't it sound just lovely?

    Anyhow, you can try palm muting the string or an even easier way is to try lifting the finger without completely detaching it from the string if you don't want it to ring clear, or somehow mute it with other fingers that feel more comfortable for you, be it from your fretting hand or picking hand.
      OurJud likes this.
  3. OurJud
    Yes, I quite like the squeak unless it becomes over-powering. As for muting I’ll give it a go but right now all my concentration goes into locating the right strings, be that picking or fretting. If I try to add muting strings as well my head’s lightly to explode.
  4. pyroglyphian
    It is probably a matter of fluidity, as Friedrich says.

    The same thing used to happen to me. For a little while I tried to deaden the strings in between changes but this led to an un-flowing, disjointed performance; it was some time before I learnt to mute comfortably.

    I think I solved it finally by emulating Kurt Cobain who, in guitar riffs, would often bash the open strings quite noisily in between fret-hand changes - to cover the pause of the change and the noise of it, which is even more pronounced on a distorted electric. (Other times he would use fret-hand mutes to cover.) Sometimes his open-string bashing would complement the riff harmonically, but not always; the bashing always occurred at a rhythmically acceptable place though and so became part of the rhythm of the riff, integral to it. Upon reflection now, I guess what he was doing in his own way was sacrificing concordance for rhythmic fluidity; a smart choice - you can get away with playing a dubious note but if you screw the rhythm you lose everything.
      OurJud likes this.
  5. OurJud
    Thanks, @pyroglyphian. I was never a massive KC/Nirvana fan but I shall watch some of his stuff to try and get a grip of what you’re saying.
  6. Murkie
    A pull-off is when you play the note by lifting your fretting finger off the string, and a hammer-on is playing the note by 'hammering' down with your fretting finger.
      OurJud likes this.
  7. OurJud
    Yes, pull-off. That’s the term I was looking for.
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