Unstuck

By J.D. Ray · Feb 23, 2019 · ·
  1. A couple weeks ago I reported being stuck in my writing. I got myself unstuck and wrote the scene in question. Now I've got one more scene in the outline to write before Part One is finished. I know how it's supposed to end, but am not sure how to start. So maybe I'm stuck again, though I'm not sure; I haven't studied on the problem enough to know.
    Iain Aschendale likes this.

Comments

  1. GrahamLewis
    Seems to me you have two viable alternatives. The first is to consciously "not-write" the scene for awhile, e.g. put it on a backburner and let it simmer in your subconscious, then go back and take a fresh look.

    The second would be to move from outlining the scene to actually writing it out, and see what unfolds, then work backwards, so to speak. Sometimes the scene or story can't be realized until you move it from abstract idea to actual text. Most of the time, in my experience.

    There is a third alternative -- keep banging at this stuck door until it breaks or until you hurt your hand, neither of which will get you very far.

    IMHO
      NathanRoets and J.D. Ray like this.
  2. GrahamLewis
    I don't know what you think about the principle of synchronicity, but I was thinking about your blog post this morning, and felt an urge to look in a book I've long owned but probably never read thoroughly, The Art of Readable Writing, by Rudolph Flesch (1974 ed.). Thumbing through it, I found this, which made me think of your dilemma:

    "[W]hat you have to do is draw upon all your ideas, experiences, memories, and move them about until you feel the click, the electric spark, the sensation of 'That's it!' If you keep your mind always in apple-pie order, you'll probably never have that feeling. . . . [Y]our mind will always run in fixed grooves. . . . If you are used to starting every writing job by making an outline, don't. Wait until you have felt the click. Before that, any outline will tie your ideas down."

    FWIW. Makes sense to me, though.
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  3. J.D. Ray
    I do that, really. For me, though, the 'click' comes when the story idea is ready. For this one, I had an idea. I'll make a blog post sometime about how it came to me. Anyway, the idea formed, and I wrote a page, maybe not even that. And the idea sat there for a couple years, probably churning around in my brain. Eventually it was ready, and I started putting it down. I've been disgorging it ever since, about a year now when I have time, which has been a lot recently. Most often my ideas are short stories, and I can crank one out, after its baking time has been met, in about four days of furtive activity.

    As you can tell, my first drafts aren't necessarily the most readable. Oh, they're not horrible, but they're not great. Typically, working entirely on my own, I pore over the draft and edit like crazy. Once I spent a week writing down a story and four months picking at the editing, polishing it to a high sheen. It was well received. I published it through the Amazon Kindle Worlds program, now shut down, and it sold a few hundred copies, which I mark as a success. I had a sequel queued up in outline, but they shut down the program before its oven timer went off. I doubt I'll ever write it, but it would have been a good story.

    This novel effort is a different beast than short stories, though. The idea came out well-formed; I knew what needed to happen in large blocks, and I wrote the prologue, the first scene, and the epilogue all right away. But the gap between the first page and the last is larger than I've ever dealt with. I'm wrapping up Part One at around 45K words, and that's nearly four times longer than anything else I've written. Part Two is looking short, but Part Three is threatening to be epic in size.

    I like this story well enough that I want to finish it. If I don't, the epilogue is wasted, and I like the way it worked. It's acting like a goal I'm striving to reach. Stay tuned.
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