In his book Writing With Power, Peter Elbow maintains that critical thinking, which includes correcting typos and grammar as you work, is the direct enemy of creativity and must be kept separate from the creative process.
His approach is what he calls Freewriting, a session where you write basically stream-of-consciousness for a certain period of time (at least, longer if it spurs you on) and absolutely DO NOT correct anything or try to make literal sense of anything you write. Nonsense is ok, puns and jokes, misspellings, anything and everything that we normally correct.
He says people who tend to correct themselves as they go, or think about correct grammar and spelling and sentence structure etc also have a tendency to self-censor as they go, which squelches creativity dead in its tracks. Kills it dead, Fred.
On the other hand, having fun, making jokes, silly little nonsense ditties etc all open up the creativity and get the juices flowing.
It's ok to stop every now and then and gather your thoughts, but should be brief and only to get yourself back on track on thinking about what you intended to write about.
Apparently people who edit themselves as they write tend to generate some decent middle-of-the-road stuff, while Freewriting tends to generate a lot of garbage and occasionally some real treasure.
I've been using Freewriting to work out ideas and situations and characters etc. I find it really does lead to all kinds of things I never would have come up with if I would be in semi-critical mode. And often the ideas are much better.
This ties in with another book about creativity I read for a college course on design long ago, called The Universal Traveler: A Soft-Systems guide to problem-solving, creativity, and the process of reaching goals. The authors, Don Koberg and Jim Bagnall, divide the creative process into 2 distinct stages—brainstorming followed by rating and editing the ideas generated in stage 1. But they stress it's vitally important to brainstorm without the faintest thought of editing words, ideas or anything else. And generate a lot of nonsense and gibberish along the way, it gets you flowing in a creative way.
I also want to make it clear, Elbow isn't saying you should ONLY do freewriting, or even primarily. Use it when you want to spur creativity or generate ideas, maybe as an exercise each morning or before you start writing for real.
The important thing is, separate the creative from the critical part of the process.
Criticism and correction are destructive, negative modes of thinking and will contaminate creativity if you mix them together.
Added 07-30-21: I've discovered another excellent book that's closely related. It's Writing the Natural Way by Gabriele Rico.
- This entry is part 2 of 33 in the series General Writing Related.
Series TOC
- Series: General Writing Related
- Part 1: The New Weird
- Part 2: Creative/Critical—pick one
- Part 3: Back to Basics
- Part 4: No Art without Craft
- Part 5: Internal Dialogue
- Part 6: Conflict
- Part 7: Emotion
- Part 8: Story Unites
- Part 9: Noir
- Part 10: Noir #2
- Part 11: Neo-Noir
- Part 12: Noir #3
- Part 13: Noir #4
- Part 14: Chapter and Scene
- Part 15: Dialogue = Action
- Part 16: Webbage
- Part 17: Who or what is driving this thing?
- Part 18: How Many Words?
- Part 19: Short Story Structure
- Part 20: Telling Tales
- Part 21: Transcendent Writing
- Part 22: Inner Life
- Part 23: Characters in King and Spielberg
- Part 24: What can be Learned from Buffy?
- Part 25: Looking closely at some Hardboiled Writing
- Part 26: Writing from the Unconscious
- Part 27: Alter Yourself
- Part 28: Writing From Life
- Part 29: Local. Script. Man.
- Part 30: Dunning Kruger
- Part 31: Looking into Leiber
- Part 32: Discovering Writing
- Part 33: Devices of Horror
- This entry is part 2 of 33 in the series General Writing Related.
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