12. Don’t kill off the fucking dog. 13. Oh, yeah, and lastly: write whatever you fucking want. The rest of his f**king writing tips can be found here: http://www.matthaig.com/some-fucking-writing-tips/ Number thirteen resonates, as well as not trying to be someone else.
Thank you @MarcT for the link. It speaks volumes. After thought - Oh me, oh my, there is no fucking with what is coming down the wire. Many voices, many songs will sound. And they will be heard by more people than ever before. It will certainly be quite the choir of drunken song.
Those are some good fucking writing tips alright... With a glass of orange juice and a slice of muenster cheese they're even better.
F*ing good tips! Hemingway was wrong, why drink on the top of writing? Isn't writing enough of a drug? 7. Ignore the fucking snobs. Write that space zombie sex opera. Just give it some fucking soul. I'm in love with this one! 10. Stories are fucking easy. PLOT OF EVERY BOOK EVER: Someone is looking for something. COMMERCIAL VERSION: They find it. LITERARY VERSION: They don’t find it. (That’s fucking it.) With this one too. 12. Don’t kill off the fucking dog. I... uh... I didn't kill the fucking dog, but I killed the protag's girl. Is that better or worse?
I think the importance of this last tip plugs into a number of slots and as the end resolution to a number of different trains of thought, like: Stop asking for permission; you're not going to get it in any way that doesn't feel dismissive or like a platitude, ultimately unsatisfactory, leading to a cycle of petition for permission that never ends. Stop getting butthurt when everyone doesn't want to read it. You can pick the most renowned, lauded, award-winning piece of writing and still fill a stadium with people who wouldn't wipe their asses with it. Them's the brakes.
Matt Haig in orbit like a comet round the web. He needs shooting down or confinement aside motivational posters.
I don't know if I'm going to kill a dog (or a cat), but I think I'm going to put a dead one on page three. I don't want to, but this seems like advice best aggressively ignored.
Taken together - in combination - I think they answer to what I mentioned above: Stop asking for permission, and also not getting butthurt when everyone doesn't want to read it.
I'm including a dog death scene. IDGAF if people don't like it. It's important to the plot, so I'm gonna do it.
Yup. I've had people say, "I won't read a book where a dog dies." First, you won't know a dog dies until you reach Chapter 25 so whatever, and second, your loss.
Matt Hague seems fairly articulate, but appears to use the same boring adjective - or is it a verb? - much too often. To the point: I cannot figure out why anyone, even a writer, would kill a dog that is f'ing. Seriously. I was raised on a farm and all sorts of animals spent plenty of time f'ing, and we never killed one in the middle of the act or even immediately after. Oh, we watched 'em f', but kill them in the act? No way, Jose. We did however, often kill the resultant offspring as much as two years after birth - then served it up for Sunday dinner. And who cares if snobs are f'ing? You wouldn't kill them for it, would you? I will probably never watch porn again because the mental image of Stormy Daniels f'ing a big orange will never leave me. Back to Matt Hague. Are his novels any good?
Well that was truly encouraging, I believe 7, 9 and 13 resonate the most with me. F*** the snobs, be yourself and write whatever the hell you please! That's a motto for life and writing. As for the dog, I have several dogs in my stories and none of them die, in fact, one of them save one of my MCs from killing himself during a panic attack.
https://www.goodreads.com/list/show/675.The_dog_dies_a_cautionary_list_ https://www.doesthedogdie.com/ We who don't care for doggie snuff find ways to protect ourselves.