I hadn't heard of a sci-fi genre called The Altered Self before, or of Evolutionary Horror. And yet some of the most powerful books and movies I know of fit into one or both. I guess it's because I never really looked into sub-genres. But honestly, I don't think truly evolutionary horror would be frightening at all, since evolution takes like millions of years and affects, not you directly, but your very distant descendents. The reason these movies and stories are so intense is because it happens to the character him-or-her-self, not to their descendents. So technically it isn't evolution, but it is based on ideas about evolution. Sorry, I woudn't even nitpick about that, except that I needed a certain number of words to be able to post this.
- This entry is part 27 of 33 in the series General Writing Related.
Series TOC
- Series: General Writing Related
- Part 1: The New Weird
- Part 2: Creative/Critical—pick one
- Part 3: Back to Basics
- Part 4: No Art without Craft
- Part 5: Internal Dialogue
- Part 6: Conflict
- Part 7: Emotion
- Part 8: Story Unites
- Part 9: Noir
- Part 10: Noir #2
- Part 11: Neo-Noir
- Part 12: Noir #3
- Part 13: Noir #4
- Part 14: Chapter and Scene
- Part 15: Dialogue = Action
- Part 16: Webbage
- Part 17: Who or what is driving this thing?
- Part 18: How Many Words?
- Part 19: Short Story Structure
- Part 20: Telling Tales
- Part 21: Transcendent Writing
- Part 22: Inner Life
- Part 23: Characters in King and Spielberg
- Part 24: What can be Learned from Buffy?
- Part 25: Looking closely at some Hardboiled Writing
- Part 26: Writing from the Unconscious
- Part 27: Alter Yourself
- Part 28: Writing From Life
- Part 29: Local. Script. Man.
- Part 30: Dunning Kruger
- Part 31: Looking into Leiber
- Part 32: Discovering Writing
- Part 33: Devices of Horror
- This entry is part 27 of 33 in the series General Writing Related.
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